A hidden painting shows up at the fountain. Giardino Sonoro 2005, Campi Bisenzio (FI) . Photo by Davide Virdis

My experience design approach can be described as a symbolic contribution to architecture, to its acoustic self-understanding and its site specific human interaction awareness:
-> in order to inform architecture and assist it in its imaginary visions, its material planning assumptions and priorities;
-> therefore stimulating architecture to re-consider itself as a dynamic and permutable process, expressive and multiple-referenced, diachronically and synchronically consistent, in order to respond to the strong demand for transformable contexts, continuosly re-readable, “sensitive and responsive” to the transformations of inhabitants and wider community’s needs.
The balance between material construction and dynamic expression, between art and local functionality, materiality and immateriality is a matter of planning and design ecology.

 
“Il Ritualista”, from “Possible Architectures”;
also included in the new TIMET CD “ANTROPICA”, L.B. 2003-2005

(BBC/RHS, World Gardener’s Live Show 2004, Birmingham (GB). Sonic Glass Sphere. Designed by Lorenzo Brusci/Giardino Sonoro. Photo by Daniele Barbagli)

Club TO Club - 7° Festival Internazionale di Musiche e Arti Elettroniche - International Electronic Music and Arts Festival

Torino (I) Saturday 10 november 2007
waiting for the official start of Torino 2008, World Design Capital (www.torinoworlddesigncapital.it)
Club TO Club (www.xplosiva.com), IED Visual Arts, Milano (www.ied.it) and Fondazione Sandretto Re Rebaudengo (in via Modane 16 - www.fondsrr.org)

present the workshop Sound Design and Urban Flexibility

THE CITY NEVER SLEEPS (Strategie Sonore per una città migliore)
Sound Design, Environmental Design, Mixed/Live Media, Installazioni interattive

contribution, among others:
Lorenzo Brusci, sound and experience design, Krakow (PL), Berlin (D)
founder with Stefano Passerotti of Giardino Sonoro, Environmental Design Team, Firenze (I)

“Possible cities”, the ‘city noise masking’ experience and other stories about urban multi-sensorial immersiveness.
“Città Possibili”, l’esperienza del ‘city noise masking’ e altre storie sull’immersività multisensoriale urbana.

Workshop program

"Rinascita", from the "City noise masking 2006 complete series: The Trashbin" by LB 2004-2006

after the meeting, at the FONDAZIONE SANDRETTO RE REBAUDENGO, Arte Contemporanea Torino, 10/11/2007

November 2007

S.Marco Theatre, Tarquinia (VT) (IT)
project by Architect Leonardo Maria Proli

Acoustic and sound design consultancy. Preliminay Project

Lorenzo Brusci, sound and space design

Gianluca Memoli, acoustician

aim: to enhance acoustically and in terms of sound diffusion the theatrical functionalities of the ancient S.Marco church

Krakow, october 15th 2007, Oskar Schindler’s Factory (PL)

Multimedia Presentation of Claudio
Nardi and Leonardo Proli’s project “Contemporary Art Museum at the Schindler’s Factory in Krakow“.

an idea of Claudio Nardi

Massimo T. Mazza, communication

Lorenzo Brusci, music and sound space design

collaborators:
Giovanni Conti, media artist
Sara Meloni, media artist

Lighting Video Architectures designed and edited by Sara Meloni, Giovanni Conti, Lorenzo Brusci

photographs by Marcin Gierat; videos by Filip Molski.

For the sound diffusion on the “Transition Room: pure sound pure light” we installed a Sonic Small Terracotta YoYo from the Giardino Sonoro collection 2005. Producer: Associazione Fornaci Storiche Impruneta (FI) (IT)

Additional field recordings contributions by Davide Tidoni

aim: to narrate space, ancient, present and future lives, related to the site and to the town’s history, through out sound and music articulated in a multi-sensorial environment. The lighting video architectures are the metaphor of the site’s future vocation: they are designed processing both 3d renderings from the new museum project and past/present pictures of the Schindler’s Factory.