Krakow, 17 February, 2008 ———————-

Piotr Lutynski (PL)

Lorenzo Brusci/Sound and Experience Design (IT) (PL)

work produced by and installed at ALCHEMIA - Krakow (PL)

work title: Ghosts, Robots, Animals and Death

“…an environmental media installation made of talking objects, remembering animals, live musicians, memories from future lives…”

musicians:

viola, Wojtek Jachymiak, Piotr Lutynski, Jan Trzupek
violin, Jerzy Wronski
flute and saxophone, Tony Rafter
saxophone, Bronia Pasieczny
double-bass, Michal Struk
keyboards, Loukianos Patrinos
electronics, Lorenzo Brusci

post mortem performance, Diana Dyjak Montes De Oca

Video artist, Filip Molski
Photographer and photoart, Marcin Gierat

Light Design, Malgorzata Haduc

Multilungual vocal materials, Giovanni Cerrone

Piotr Lutynski was born in 1962 in the hills of southern Poland. He attended the Antoni Kenar Fine Arts Lyceum in the mountain resort of Zakopane and specialized in graphic design at the University of Slesia, from which he graduated in 1990. A painter, sculptor, installation artist, performer and composer, Piotr creates ‘total musical and visual shows.’ Goats and birds appeared in his exhibition Bird Column Project (2003), horses in Between a horse and a painting (2003) and carp in Music for Fish (2005). He is fascinated by natural materials, folklore and the first avant-garde. Piotr has participated in numerous group exhibitions and had solo exhibitions in Krakow’s leading venues, including the Bunkier Sztuki, Starmach and Zderzak galleries, and at Warsaw’s Foksal Gallery. He lives and works in Krakow, Poland.

A marble wall can host a video lighting system, based on LCD television standard luminous settings and on the ability to produce video lighting art. The lighitng Images reflection starts from this awareness: how to shape light in the visual and image editing domain, transposing then its expressive qualities to the traditional lighting technical and aesthetic requirements (or to a not-conventioanl usage of a standard house tool: i.e. TV). With SED network partners Marco Veneri -graphic designer and graphic artist from Bianco - and media artists Giovanni Conti and Sara Meloni we are approaching the production of sonic lit pictures ans sonic luminous videos based on the Lighting Images research - started by Lorenzo Brusci in 2004.

Metajazztransition. Lighting processing, 2004.

Excerpt from piece Acque Nuove, artipiece ANTROPICA, to be published in 2008.

Choreographical piece “Cuocere il Mondo“

(photos by Andrea Macchia)

Lorenzo brusci has been composing music and designing sound spaces for Raffaella Giordano’s last 3 creations.

Her rigorous work goes directly to an expressive fundamental need, articulated after months of community research.

Life and its co-essential archetypes always enrich her visions:

public and private life, intimacy, presence, memory, action, presence, memory, defense, love, relations, cuts, action, oblivion, sacred icons, lost and new symbols, abandon, contradictions, community, abandon, destruction, rebirth, care, care, oblivion, care, transfiguration, defense, memory.

The music I offer to her works is always oriented to represent an intense spacial time for the action, widening and amplifying the bounderies of a physical theatre.

Always trying to generate sound in a way that the piece itself and its stage behaviours are responsible for the music articulation and immanence.

“…I feel a theatrical work as an expressive architecture to take care of for the whole time of its existence. A pervasive idea of maintanance and care. An immersive sense of symbolic continuity. A gestural, word and behavior art able to open spectators’ life towards a wider aesthetic which flowers from tiny, infinite, radical actions. Another stimulus for our experience design understanding”.

Stellare. A sound environment created
for Raffaella Giordano’s piece
“TU NON MI PERDERAI MAI” (2006)

Canto al sole.
A sound excerpt from Brusci’s music
for Raffaella Giordano’s piece

"TU NON MI PERDERAI MAI" (2006)- Vocal by Preot Buxton

Cuore Basso.
A sound excerpt from Brusci’s music
for Raffaella Giordano’s piece

Additional sound J. Johansson

Wroclaw - 2007/2008
Villa Verona Park, Wroclaw (PL)

Sonorous Entrances for 6 Buildings

project by arch. Piero Mazza -International Building (IT) (PL)
constructor Valdadige Costruzioni (IT) - Verona Building (PL)

“…sonorous ceilings will wellcome visitors and inhabitants. The sound memory of each building entrance will be dedicated to a classical composer. The original scores will be electronically transfigured.”

Lorenzo Brusci and the orthopedic rehabilitation center Alisè are still testing and discussing the acoustic and sound comfort and its emotional implications on the everyday treatment praxis. We have also recently started to produce feasibility and test studies for the acoustic, sonorous and luminous comfort inside wider medical institutions and hospitals; here sound articulations deal with the ability to de-absolutize the perception of pain; an attempt to stimulate the environmental interactive attitude of patients and inmates. The scientific communication of this experience will be organized and scheduled during 2008.