Archive for the ‘Contemporary art installation’ Category

STARMACH Gallery, Krakow. January 2009. Brusci/Lutynski, mixed media installation

Tuesday, March 11th, 2008

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Further lives. Piotr Lutynski/Lorenzo Brusci

interactive mixed media installation. STARMACH Gallery (PL).

A system of 8 suspended corpses, each one speaks a different language, exchanging and morphing each other voices and idioms according to visitors’ modality of presence.

(CON)TEMPORARY ART, MIART 2008, Milano, sound and space design for artist Pietro Bologna’s exhibition BUIO

Tuesday, March 4th, 2008

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Aria Savona, via Savona 43
BUIO, by Pietro Bologna, curated by Giovanni Pelloso
spazio sonoro/sound space, Lorenzo Brusci

mixed media installation: an audio-video projection, a photographic book, a sound table, a sonic ceiling.
31 march - 6 April 2008

“Buio, come originario, contadino, primario e semplice. Terra ancestrale e sepolcrale.
Esperienza in 27 immagini e uno spazio sonoro”.

photography, pietro bologna
sound space, music composition, lorenzo brusci


BUIO soundscape. stereo sound file for the web.

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ariasavona_invito_buio.pdf

Invitation pdf

17/02/’08 Alchemia, Krakow (PL). Images from the mixed media event “Ghosts, Robots, Animals and Death”

Saturday, February 23rd, 2008

Piotr Lutynski and Lorenzo Brusci

“An environmental media installation made of sounding objects, remembering animals, live musicians, singing memories from future lives.”

musicians:
viola, Wojtek Jachymiak, Piotr Lutynski, Jan Trzupek; violin, Jerzy Wronski; flute and saxophone, Tony Rafter; saxophone, Bronia Pasieczny
double-bass, Michal Struk; keyboards, Loukianos Patrinos; electronics, Lorenzo Brusci.

post mortem performance, Diana Dyjak Montes De Oca; Video artist, Filip Molski; Photographer and photoart, Marcin Gierat; Light Design, Malgorzata Haduc; Multilungual vocal materials, Giovanni Cerrone

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ROOM 1, the entrance at the clock. Musicians are exploring the sound and visual space, they are prototypical listener.

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ROOM #2, the wellcoming flying sonic corpse, the singing and mirroring deers, animated old pictures.

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Room #3, the confident corpse, the crying mask, the written robots, the timing sounding terracotta yoyo and the sonic basket.
They remember and talk in multilingual.

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The corridor to the cellar.

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The Performance.

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(All pictures by Marcin Gierat)

Letizia Renzini. ‘Tears for Johannesburg’. Visual and Sound Installation. Firenze.

Sunday, January 13th, 2008

Lorenzo Brusci has been asked from performer, artist and music journalist Letizia Renzini - early TIMET member - to co-compose the music for the video presences inside the art exhibition ‘Tears for Johannesburg’, curated by Silvia Lucchesi at the Florentine art gallery “IL PONTE“.

The exhibition is open since february the 5th to the 16th.

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Installation/Sound Performance

Wednesday, November 28th, 2007

Krakow, 17 February, 2008 ———————-

Piotr Lutynski (PL)

Lorenzo Brusci/Sound and Experience Design (IT) (PL)

work produced by and installed at ALCHEMIA - Krakow (PL)

work title: Ghosts, Robots, Animals and Death

“…an environmental media installation made of talking objects, remembering animals, live musicians, memories from future lives…”

musicians:

viola, Wojtek Jachymiak, Piotr Lutynski, Jan Trzupek
violin, Jerzy Wronski
flute and saxophone, Tony Rafter
saxophone, Bronia Pasieczny
double-bass, Michal Struk
keyboards, Loukianos Patrinos
electronics, Lorenzo Brusci

post mortem performance, Diana Dyjak Montes De Oca

Video artist, Filip Molski
Photographer and photoart, Marcin Gierat

Light Design, Malgorzata Haduc

Multilungual vocal materials, Giovanni Cerrone

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Piotr Lutynski was born in 1962 in the hills of southern Poland. He attended the Antoni Kenar Fine Arts Lyceum in the mountain resort of Zakopane and specialized in graphic design at the University of Slesia, from which he graduated in 1990. A painter, sculptor, installation artist, performer and composer, Piotr creates ‘total musical and visual shows.’ Goats and birds appeared in his exhibition Bird Column Project (2003), horses in Between a horse and a painting (2003) and carp in Music for Fish (2005). He is fascinated by natural materials, folklore and the first avant-garde. Piotr has participated in numerous group exhibitions and had solo exhibitions in Krakow’s leading venues, including the Bunkier Sztuki, Starmach and Zderzak galleries, and at Warsaw’s Foksal Gallery. He lives and works in Krakow, Poland.