Lorenzo Brusci and his environmental sonic modules will be joining the opening site specific performance of Attakkalari India Biennial 2009 to be held from 6 to 16 Feb 2009. The event will be involving among others artists like choreographer and dancer Jayachandran Palazhy, media artists like Kunihiko Matsuo, Thomas Dotzler, Naoki Hamanaka, Mitsuaki Matsumotoand composer Joseph Hyde.

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Contact the Festival Directorate at:
Attakkalari Centre for Movement Arts
24-04, BTS Bus Depot Road
Wilson Garden
Behind Mandovi Motors
Bangalore 560027
Tel: (91-80) - 22123684
email: attakkalari.biennial@gmail.com
Website: www.attakkalari.org

The Academy of Fine Arts in Cracow (Akademia Sztuk Pięknych w Krakowie im. Jana Matejki, usually abbreviated to ASP) located in Kraków, Poland, is the oldest run Polish Fine Arts Academy, established in 1818. Brusci will hold a lecture on the main activities and research horizons of Sound and Experience Design. The lecture is the introduction to the workshop Brusci will hold in late october 2008 in Krakow. The workshop is open to the industrial design students of the Dortmund, Sheffield, Poznan and Wroclaw Universities. The final program of the workshop will be presented at the introduction lecture, 13 may 2008, 13.15.

Sonic Spider, designed and constructed by Brusci&Torra/Giardino Sonoro
during the artist Mino Trafeli workshop in Pontedera (IT). Producer Fondazione Piaggio, 2006.
The workshop was open to students coming from many European Fine Arts Academies.

Sonic underground Terracotta Module, designed by Brusci in Bangalore, India, (2006) during the didactic sessions held in Whitefield for the International Choreography Laboratory FACETS, organized by ATTAKALARI  Centre for Movement Arts and co-produced by the British Council for the Arts.

workshop title:

Urban Sound Design and the Creation of a New Culturescape.
21 April; 6-9 May 2008.

A Luminous and sonic Flying Dolphin#1, Paris, Nuite Blance 2006, Designed by Brusci&Passerotti&Baccioni/Giardino Sonoro.

Andres Bossahard’s Square Plexiglas speakers installed by Brusci/Timet at Forte Belvedere, Firenze, 2004, Orizzonti dell’arte”, exhibition curated by Risaliti e Bonito Oliva.

give a look to the images of the workshop
target=”_blank”>http://www.iedsound.net/blog/2008/05/06/sonic-water-creatures-workshop-day-1/

The sandbags and horizontal buxus trench and the polyphonic white sand room;
kneeling system by artist Mino Trafeli. Chaumont sur Loire (FR), 2006.
Designed by Brusci&Passerotti/Giardino Sonoro - nEmoGrupo, architects

A sonic terracotta plate, Chaumont sur Loire (FR), 2006.
Designed by Brusci&Passerotti/Giardino Sonoro - nEmoGrupo, architects

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LANDSCAPE LECTURES/Lezioni di paesaggio
Savignone (Ge), Colonia di Renesso, 3-25 maggio 2008

curated by Emanuele Piccardo

http://www.archphoto.it/2008/04/01/lezioni-di-paesaggio_savignone-3-25-maggio-2008

4 may 2008_ “Defining the landscape“

Conveners

Massimo Quaini_Geographer
Marcella Rossi_Historian
Giorgio Falco_Writer
Brunetto De Batté_Architect
Lorenzo Brusci_Sound and experience designer

A Sonic and Vibrating Vulcano.
Designed by Brusci&Brugellis&Passerotti/Giardino Sonoro 2007

The horizontal buxus and weaved chestnut bars sonic wall. Designed by Brusci&Passerotti/Giardino Sonoro, 2006.

lezioni-di-paesaggio.pdf

The program.pdf in italian.

ART BOX CITY is produced by a pool of brands headed by the university spin off SPAZI COMUNI (Rome, IT). Designed by Pino Brugellis, it sees the collaboration among others of EXTRAVEGA, TARGETTI, OLOMEDIA and for the acoustic design of LORENZO BRUSCI / Sound and Experience Design together with the B&C Speakers acoustic consultancy.

Art Box City is conceived to provide public and institutional information along with the ability to offer a dynamic and media space for urban meetings and public confrontations.

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ART BOX CITY è una macchina urbana, una piattaforma hardware e software progettata per lo svolgimento di due distinte attività:

1. La diffusione di contenuti culturali e informativi ai cittadini che avranno a disposizione uno “strumento” dai molteplici utilizzi: fruizione e download di contenuti audio-video e testuali; servizi informativi sul lavoro, sulle attività dei municipi e sulle manifestazioni artistico culturali in città; inserimento – previa vidimazione in tempo reale – di autoproduzioni.

2. La raccolta, la sintetizzazione e l’analisi dati sullo spazio urbano di posizionamento del box. Tale attività è resa possibili da un Software innovativo (SW_ABC_1) programmato grazie al lavoro congiunto di ricercatori di sociologia, psicologia sociale, metodologi, statistici e informatici.

La fisionomia esteriore è quella di un Box Urbano, una “macchina” che non richiede nessuno sforzo per essere utilizzata, che favorisce la socializzazione e la trasmissione artistica e culturale anche in modo distratto, inventando modi informali di comunicare.