BITES by Kay Adshead
translated in italian by Andrea Peghinelli
In der Übersetzung von Katharina Schneider

Teatro dell’Orologio, Roma (IT): april 8 - 27, 2008
Theater Engelbrot&Spiele, Berlin: ab 22, 23, 24, 30,31 may, 01 june

with:
Carlo Emanuele Esposito
Tabea Heynig
Marc-Gratian Iancu
Alice Masprone
Veronika Steinböck
Dominique Wendler

Directed by
Elena Vannoni

Schenography/ Costumes:
Gabriele Salvaggio / Cristina Gamberini

Dramaturgy:
Bettina Jänisch, Katharina Schneider

Music/Sonic space:
Lorenzo Brusci

Assistants:
Martina Neu, Cecilia Nocella

blueorangeOpera.mov

blueyellowDouble.mov

Michael D’auzon’s video choreography, 2007. Sound Design preliminary study by Lorenzo Brusci/SED, Berlin 14-17 december 2007. (more audio-video choreography experiments are available in the VIDEO HISTORY section)

manifestoweb.mov

‘Infinite times deeper’. A soundscape for Michael D’Auzon’s video choreography Manifesto. Preliminary studies. L. Brusci, 15 december 2007.

Choreographical piece “Cuocere il Mondo“

(photos by Andrea Macchia)

Lorenzo brusci has been composing music and designing sound spaces for Raffaella Giordano’s last 3 creations.

Her rigorous work goes directly to an expressive fundamental need, articulated after months of community research.

Life and its co-essential archetypes always enrich her visions:

public and private life, intimacy, presence, memory, action, presence, memory, defense, love, relations, cuts, action, oblivion, sacred icons, lost and new symbols, abandon, contradictions, community, abandon, destruction, rebirth, care, care, oblivion, care, transfiguration, defense, memory.

The music I offer to her works is always oriented to represent an intense spacial time for the action, widening and amplifying the bounderies of a physical theatre.

Always trying to generate sound in a way that the piece itself and its stage behaviours are responsible for the music articulation and immanence.

“…I feel a theatrical work as an expressive architecture to take care of for the whole time of its existence. A pervasive idea of maintanance and care. An immersive sense of symbolic continuity. A gestural, word and behavior art able to open spectators’ life towards a wider aesthetic which flowers from tiny, infinite, radical actions. Another stimulus for our experience design understanding”.

Stellare. A sound environment created
for Raffaella Giordano’s piece
“TU NON MI PERDERAI MAI” (2006)

Canto al sole.
A sound excerpt from Brusci’s music
for Raffaella Giordano’s piece

"TU NON MI PERDERAI MAI" (2006)- Vocal by Preot Buxton

Cuore Basso.
A sound excerpt from Brusci’s music
for Raffaella Giordano’s piece

Additional sound J. Johansson