blueorangeOpera.mov

blueyellowDouble.mov

Michael D’auzon’s video choreography, 2007. Sound Design preliminary study by Lorenzo Brusci/SED, Berlin 14-17 december 2007. (more audio-video choreography experiments are available in the VIDEO HISTORY section)

manifestoweb.mov

‘Infinite times deeper’. A soundscape for Michael D’Auzon’s video choreography Manifesto. Preliminary studies. L. Brusci, 15 december 2007.

Krakow, 17 February, 2008 ———————-

Piotr Lutynski (PL)

Lorenzo Brusci/Sound and Experience Design (IT) (PL)

work produced by and installed at ALCHEMIA - Krakow (PL)

work title: Ghosts, Robots, Animals and Death

“…an environmental media installation made of talking objects, remembering animals, live musicians, memories from future lives…”

musicians:

viola, Wojtek Jachymiak, Piotr Lutynski, Jan Trzupek
violin, Jerzy Wronski
flute and saxophone, Tony Rafter
saxophone, Bronia Pasieczny
double-bass, Michal Struk
keyboards, Loukianos Patrinos
electronics, Lorenzo Brusci

post mortem performance, Diana Dyjak Montes De Oca

Video artist, Filip Molski
Photographer and photoart, Marcin Gierat

Light Design, Malgorzata Haduc

Multilungual vocal materials, Giovanni Cerrone

Piotr Lutynski was born in 1962 in the hills of southern Poland. He attended the Antoni Kenar Fine Arts Lyceum in the mountain resort of Zakopane and specialized in graphic design at the University of Slesia, from which he graduated in 1990. A painter, sculptor, installation artist, performer and composer, Piotr creates ‘total musical and visual shows.’ Goats and birds appeared in his exhibition Bird Column Project (2003), horses in Between a horse and a painting (2003) and carp in Music for Fish (2005). He is fascinated by natural materials, folklore and the first avant-garde. Piotr has participated in numerous group exhibitions and had solo exhibitions in Krakow’s leading venues, including the Bunkier Sztuki, Starmach and Zderzak galleries, and at Warsaw’s Foksal Gallery. He lives and works in Krakow, Poland.

A marble wall can host a video lighting system, based on LCD television standard luminous settings and on the ability to produce video lighting art. The lighitng Images reflection starts from this awareness: how to shape light in the visual and image editing domain, transposing then its expressive qualities to the traditional lighting technical and aesthetic requirements (or to a not-conventioanl usage of a standard house tool: i.e. TV). With SED network partners Marco Veneri -graphic designer and graphic artist from Bianco - and media artists Giovanni Conti and Sara Meloni we are approaching the production of sonic lit pictures ans sonic luminous videos based on the Lighting Images research - started by Lorenzo Brusci in 2004.

Metajazztransition. Lighting processing, 2004.

Excerpt from piece Acque Nuove, artipiece ANTROPICA, to be published in 2008.

Lorenzo Brusci and the orthopedic rehabilitation center Alisè are still testing and discussing the acoustic and sound comfort and its emotional implications on the everyday treatment praxis. We have also recently started to produce feasibility and test studies for the acoustic, sonorous and luminous comfort inside wider medical institutions and hospitals; here sound articulations deal with the ability to de-absolutize the perception of pain; an attempt to stimulate the environmental interactive attitude of patients and inmates. The scientific communication of this experience will be organized and scheduled during 2008.

November 2007

S.Marco Theatre, Tarquinia (VT) (IT)
project by Architect Leonardo Maria Proli

Acoustic and sound design consultancy. Preliminay Project

Lorenzo Brusci, sound and space design

Gianluca Memoli, acoustician

aim: to enhance acoustically and in terms of sound diffusion the theatrical functionalities of the ancient S.Marco church