[Due to major and serious inconvenients occured to some of the Angelus Novus members
we have to cancel the april 25 event at C-Base]

Berlin, C-Base
April 25, 2008, h. 22:00

Event:
ANGELUS NOVUS
RADICALSCAPE #1
the art of de-metabolizing urban flatness

Nathalie Zogalla_dj
Sara Meloni_interactive and media design
Lorenzo Brusci_electronics, songs, space and experience design
Stefan Wichmann _video directing
Giovanni Conti_interactive and media design
Lucio Capece_prepared soprano saxophone and bass clarinet

C-Base
rungestrasse 20, 10179
Berlin. s+u-bahn jannowitzbrücke oder u-bahn heinrich heine straße

Krakow, 17 February, 2008 ———————-

Piotr Lutynski (PL)

Lorenzo Brusci/Sound and Experience Design (IT) (PL)

work produced by and installed at ALCHEMIA - Krakow (PL)

work title: Ghosts, Robots, Animals and Death

“…an environmental media installation made of talking objects, remembering animals, live musicians, memories from future lives…”

musicians:

viola, Wojtek Jachymiak, Piotr Lutynski, Jan Trzupek
violin, Jerzy Wronski
flute and saxophone, Tony Rafter
saxophone, Bronia Pasieczny
double-bass, Michal Struk
keyboards, Loukianos Patrinos
electronics, Lorenzo Brusci

post mortem performance, Diana Dyjak Montes De Oca

Video artist, Filip Molski
Photographer and photoart, Marcin Gierat

Light Design, Malgorzata Haduc

Multilungual vocal materials, Giovanni Cerrone

Piotr Lutynski was born in 1962 in the hills of southern Poland. He attended the Antoni Kenar Fine Arts Lyceum in the mountain resort of Zakopane and specialized in graphic design at the University of Slesia, from which he graduated in 1990. A painter, sculptor, installation artist, performer and composer, Piotr creates ‘total musical and visual shows.’ Goats and birds appeared in his exhibition Bird Column Project (2003), horses in Between a horse and a painting (2003) and carp in Music for Fish (2005). He is fascinated by natural materials, folklore and the first avant-garde. Piotr has participated in numerous group exhibitions and had solo exhibitions in Krakow’s leading venues, including the Bunkier Sztuki, Starmach and Zderzak galleries, and at Warsaw’s Foksal Gallery. He lives and works in Krakow, Poland.

Wroclaw - 2007/2008
Villa Verona Park, Wroclaw (PL)

Sonorous Entrances for 6 Buildings

project by arch. Piero Mazza -International Building (IT) (PL)
constructor Valdadige Costruzioni (IT) - Verona Building (PL)

“…sonorous ceilings will wellcome visitors and inhabitants. The sound memory of each building entrance will be dedicated to a classical composer. The original scores will be electronically transfigured.”

(BBC/RHS, World Gardener’s Live Show 2004, Birmingham (GB). Sonic Glass Sphere. Designed by Lorenzo Brusci/Giardino Sonoro. Photo by Daniele Barbagli)

Club TO Club - 7° Festival Internazionale di Musiche e Arti Elettroniche - International Electronic Music and Arts Festival

Torino (I) Saturday 10 november 2007
waiting for the official start of Torino 2008, World Design Capital (www.torinoworlddesigncapital.it)
Club TO Club (www.xplosiva.com), IED Visual Arts, Milano (www.ied.it) and Fondazione Sandretto Re Rebaudengo (in via Modane 16 - www.fondsrr.org)

present the workshop Sound Design and Urban Flexibility

THE CITY NEVER SLEEPS (Strategie Sonore per una città migliore)
Sound Design, Environmental Design, Mixed/Live Media, Installazioni interattive

contribution, among others:
Lorenzo Brusci, sound and experience design, Krakow (PL), Berlin (D)
founder with Stefano Passerotti of Giardino Sonoro, Environmental Design Team, Firenze (I)

“Possible cities”, the ‘city noise masking’ experience and other stories about urban multi-sensorial immersiveness.
“Città Possibili”, l’esperienza del ‘city noise masking’ e altre storie sull’immersività multisensoriale urbana.

Workshop program

"Rinascita", from the "City noise masking 2006 complete series: The Trashbin" by LB 2004-2006

after the meeting, at the FONDAZIONE SANDRETTO RE REBAUDENGO, Arte Contemporanea Torino, 10/11/2007

Krakow, october 15th 2007, Oskar Schindler’s Factory (PL)

Multimedia Presentation of Claudio
Nardi and Leonardo Proli’s project “Contemporary Art Museum at the Schindler’s Factory in Krakow“.

an idea of Claudio Nardi

Massimo T. Mazza, communication

Lorenzo Brusci, music and sound space design

collaborators:
Giovanni Conti, media artist
Sara Meloni, media artist

Lighting Video Architectures designed and edited by Sara Meloni, Giovanni Conti, Lorenzo Brusci

photographs by Marcin Gierat; videos by Filip Molski.

For the sound diffusion on the “Transition Room: pure sound pure light” we installed a Sonic Small Terracotta YoYo from the Giardino Sonoro collection 2005. Producer: Associazione Fornaci Storiche Impruneta (FI) (IT)

Additional field recordings contributions by Davide Tidoni

aim: to narrate space, ancient, present and future lives, related to the site and to the town’s history, through out sound and music articulated in a multi-sensorial environment. The lighting video architectures are the metaphor of the site’s future vocation: they are designed processing both 3d renderings from the new museum project and past/present pictures of the Schindler’s Factory.