Transition#1. Lighting processing, 2004.

Excerpt from piece Acque Nuove, artpiece ANTROPICA, to be published in 2008.

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Re-animating classical music pages. An electronic remix of Stravinsky’s Petrushka. 2003

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Trumpet and living voices: a dialogue in order to create a memory environment. Berlin, 2008
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Classical echos and memories for an urban promenade. A rough mix of a city noise masking database (from a live intervention, P.za Demidoff, Firenze, 2006)

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Live processing on human habitats. A building courtyard. Berlin, 2008.

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High pitch stardust. a possible audible silence. 2004

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vocals by Preot Buxton. Song and sound design by Lorenzo Brusci - Timet, 2003
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Poet E. Ostashevsky’s reading become a soundscape for readers’ intimate readings.

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Female voices like insects and other fast animals. Vocal interpretations by Letizia Renzini for the Brusci/Renzini/Timet CD LOLE, Musica Leggiarda
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from the Schndler’s Factory work, october 2007, an example of music composition mixing environmental requirements with expressive must.

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Live processing on human habitats. Children at the schoolyard. Berlin, 2008

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A multilayered germination. Composed for artist Leone Contini’s work, december 2007.

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