Eindhoven, 26-27 may 2009
Lorenzo Brusci / Architettura Sonora will bring sound, acoustics and experience design contributions to the creative multi-discipline workshop that the GOAL team -Global Organization Application Lighting- of Philips is organizing on future multisensory retailing.
On Friday, May 29, 2009 BALTAN Laboratories hosts the third in its series of BATLAN GOES NATLAB presentations at the former Philips NatLab in Eindhoven. Curated and moderated by Telcosystems, the focus of this session will be on different strategies of spatialisation in audiovisual art and how this alters our understanding of technology-driven forms of art. Norwegian artist HC Gilje explores how audiovisual technology can be used to transform, create, expand, amplify and interpret physical spaces. He will present the research he has been doing over the last three years during his research fellowship at the National Academy of the Arts in Bergen (KHIB). HC Gilje writes regularly on these matters on his blog Conversations with Spaces. The Italian sound designer Lorenzo Brusci will give a presentation on his work in the field of immersive sound and experience design. He is (co-)founder of the applied acoustics division of B&C Speakers, Architettura Sonora, the environmental design team Giardino Sonoro, and the studio Sound and Experience Design. Telcosystems will present their latest work 12_Series, which they developed at BALTAN Laboratories as part of the Poeme Numerique investigations.
« Le complexe imaginaire» (Avant-première)
choreography: MICHAËL D’AUZON
dancers: LARA MARTELLI, DAVIDE SPORTELLI
sound space: LORENZO BRUSCI
real time sound design: FABIO FONDA
Michaël d’Auzon and his team are questioning the notion of invisible architecture within a dance piece composed as a musical score. The “imaginary complex” is a trip into the core of the brain where can be observed the bodily grammar at work, where the articulation of motions tends to materialize the representation of a mental process itself. “Is dance something to be seen?…” Between the picture of the dancer stimulating our eye, and the sound produced by his/her gesture, a psycho-acoustic relationship plays with our perception of the movement. Then, dance seems to be merely what we believe to see.
Berlin, (DE), Dot Lounge, 05.05.2009
Luxembourg (LUX) at Carré Rotonde, 26.05.2009
Trier, (DE), Stadt Theatre, 06.06.2009
plastique fantastique & architettura sonora
presents:
la medusa parlante. The talking jellyfish
La medusa parlante realizzata appositamente per la Triennale di Milano catalizza emozioni.
L’installazione è una struttura pneumatica realizzata in plastica rosa, sostenuta dall’alta pressione interna attraverso la costante immissione di aria e soggetta alle alterazioni derivate dalle onde sonore che lei stessa produce. È uno spazio che puó essere vissuto da fuori e da dentro - è luogo di ispirazione per un’esperienza ludica.
Alla superficie esterna della struttura vengono inglobati speciali soundpads che, trasmettondo vibrazioni direttamente al materiale, rendono l’intera struttura cassa sonora polifona cantante: la medusa parlante.
plastique fantastique
Marco Canevacci, Markus Wüste, Pietro Balp
www.plastique-fantastique.de
Architettura Sonora, Applied Acoustics
Lorenzo Brusci / sound and experience design
www.architetturasonora.com
Salone del Mobile/Furniture Fair, Milano, Fuori Salone, Zona Tortona, in collaboration with Design Partners and Aria Savona
location: Magna Pars, Via Tortona 15, Milano
Sound Immersive Lounge Room at Magna Pars
by Architettura Sonora, Applied Acoustics_a division of B&C Speakers
Sonic Snail, designed by Lorenzo Brusci and Fabio Schillaci, 2008
(photo by Andrea Macchia)