MIGRATION METAMORPHOSIS _ Lorenzo Brusci Heinz Lieb _ on Attenuation Circuit / TIMET / 2018
MIGRATION METAMORPHOSIS – a TIMET project
[TIMET - THE HYBRIDS - Brusci Lieb]
.recorded at Heinz Lieb’ studios (Rorschach, CH), at Climnoizer’s studio (Berlin, DE), at Timet’s studio (Montevarchi, ITA), March-June 2015
.re-composed, post-produced and mastered between June and October 2015 in Montevarchi by Lorenzo Brusci at his sound studio (Montevarchi, ITA).
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Lorenzo Brusci – Electronics, Live Electronics, Compositions
Heinz Lieb – Acoustical Percussions, Cosmic Drums, free improvisations
guest artist: Luca Canciello (alias Climnoizer), Guitars on Mov. I / MIGRATION and on Mov. 3 / METAMORPHOSIS; Monophonic Synthetizer on Mov. II / ADAPTATION
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MIgration on Attenuation Circuit, 2018 - http://www.attenuationcircuit.de
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Interpreting
The living tension to overcome given-obsessive-overwhelming realities
Migrating
Transfiguring
The fundamental process of any ideal Inclusive future.
We are allowed to still have
Driving Missions
Radical enough to design an alternative worldscape.
Metamorphing the unbearable present – The framing phrase of immanent violent depriving conditions
Leaving unchosen uncontrollable frustrations and humiliations
Delimited Unlimited Anxieties
Leading to certain self and collective destructions.
Dynamic and Open spacing Is the only strategic policy
The solidarity factor Is the only possible ecology.
Spacing justice is not a political choice, it’s an evolutionary necessity. We musically and expressively tried to intertwine the wills
Of being -adopting- -dancing with- anyone Who suffers to be recognized, reborn, re-graced
As a human potential A beauty sharer
A world maker.
L.B.
__
Andavamo tutti come fosse una migrazione (1991)
by Giancarlo Majorino
Andavamo tutti come fosse un’emigrazione
chi per acqua chi per terra, allarmati
notammo che un leone ci oltrepassava
ma era come quando nella tundra incendiata
fuggivamo insieme felini e prede uccelli e serpi
cos’era cosa poteva esser stato nulla ricordo
non fatti precisi non odor di bruciato migravamo
in ratti gusci motorizzati e caschi a piedi scalzi
da chi sa che mossi transitavamo nel piano sembrante discesa
così potevamo saremmo riusciti a scampare arrivare ansando entro
quando? in tempo e non contavano orario e luogo transitare
occorreva, altro corpo! snello basso e tozzo su quattro sciolte zampe
quasi una lotta di molte zampe gambe
una testa bianca tra colli di giraffe
sandali orme zoccoli nella sabbia
nel suo trotto a zig zag cinghiale irsuto
con famiglia a fianco bimbo su bici
gara di motocicli chiatte e scafi accanto
una universale processione forte respirante
sbandata ma diretta senza macchine da presa
o per quegli apparecchi occhialuti ritrasmessa
eravamo dentro pure per noi scorreva noi fissi davanti
cosa preoccupava il rinoceronte con intorno il vuoto?
la mandria pelosa che panicata quasi s’ingoiava?
la coppia remante arti e respiro sotto forte ipnosi?
il caduto rischiava tutto ma
capitava e dopo un grido d’aiuto
quasi tranquillizzato si chetava
trafitto schiacciato
trafitto schiacciato, per le mosche
i fastidiosi insetti non v’era tempo
di notarli, né i canterini uccelli
dardeggianti vi saranno stati
non era il momento di ricercarli non era il momento
andava come l’acqua un’acqua umana
e animale a non si sa che pozzo tentando
abbandonando non si sa che male
___
(english translation – basic version)
We all went as if it were an emigration
who for water who on the ground, alarmed
we noticed that a lion passed over us
but it was like when in the burnt tundra
we flew together felines and prey birds and snakes
what was it could have been nothing I remember
not precise facts, no smells of burned we migrated
in rats motorized shells and barefoot helmets
from who knows that moved we passed in the plan seeming descent
so we could have managed to escape getting panting by
when? in time and did not count the time and place to transit
it needed, another body! slender and squat on four loose legs
almost a fight of many paws legs
a white head between necks of giraffes
sandals footprints hooves in the sand
in his trotted zig zag boar hirsute
with family alongside child on bike
race of motorcycles barges and hulls next
a universal strong breathing procession
skid but direct without cameras
or for those retouched spectacles
we were inside, even for us, we were staring at each other
What worried the rhinoceros with the emptiness around?
the hairy herd that she panicked almost knelt?
the pair rowing limbs and breath under strong hypnosis?
the fallen risked everything but
it happened and after a cry for help
almost reassured, he knelt down
crushed pierced
crushed pierced, for flies
the annoying insects there was no time
not to notice them, nor the birds songbirds
darting will have been there
it was not the time to research them it was not the time
like human water, it was like water
and animal to it is not known which pit trying
abandoning you do not know which bad
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MIGRATION _ Movement I (41’: 30”)
- 00′:00″ – Aiming at ; WISHING [to; of]; MOoving ; ga_the_ring :
synchronising: JOY SScreaming Crying SSShaking AT TO THAT THIS FOR FAR FEAR:
present past: ALL NOW ALL IF WE WHAT WE IS IF ES_PAT_PLOT_pourPUThotpot_NALL!
THAT necessary TRANSFIGURATION. GOING Must Must Must Go Intensity aim : GO AT Identity Shared Mo(ve)Ment TERROR MY(S)TICAL FEAR MOTION_MENTAL
- 16’50” – The horizon isT REVEALED towards Ne(xs)T Nature: Where: existing is=a matter of CONTINUITY .individual. .generational. internal ex-e-ternal. The forcing cycles of RAGe IN: Inner Struggle.
- 24’:25” - COM MAMORY. The ritual Mech: a learning sess process. WILL condition for A.PLEASURE POWER Memory Memory POWER PLEASURE OF MEMORY_____ ______IF: WILL BE presenting.naming
- 32’46” – The struggling cycles of currents – updownnorthsouth: The OuterInner lace DOMINANCE and ARTICULATION ACCENTS , ACCENTS and WINDS or, reformed conjunction. QUICKER silvering the globe. Tin Tin your eyes.
ADAPTATION _ Movement II (37’:55”)
- 00′:00″ – In new nature. ADAPTIVE SENSITIVE REGRESSIVE PERSUASIVE CLUMSY OBSESSIVE CHORALITY MISLEAD FINITE MULTIMASSIVE INSTANTANOUS FEABLE FAIR FLOWS
- 12’:40” – GUIDED VIVID Assumptions Repeat and :eventually : Confirm : anyone’s glory _ probable: :imitative mimetic: :epidemic: prophylactic Intentions and contradictions inside farfrom e-scape
- 15’:50″ - PERFECTION ut SATISFACTION _ Howling at the Garden of Souls _ the empty-theatre denies Responsability. Architecture tense senses, but never reveals. MND the consequence. Be(r)(in) the consequence. N ature is Ar chitectu re Nat_ure is A rchit ec(x)ture(peat(y) Nature is (for) Architecture Nature for ARCHI-TECTURE Nature in Architecture NATURE aS Architecture NOturing is Architecture Neeture is notmo’ Architecture Serendipity and synchronicity. PULSE dears, PULSE.
- 25’:42” – Transcending, Refresh -Cohesions . The Star promenade. PLACE and names. Work Blurr PROJECT (in/an/on) The pacification process, T MIND IS ONE feel the synthetical monophony A new place COexists. A new PLACE PACE Th’ community Wants: ITS PERPETUAL Voice: :AWE WEEE A WEA A and >> perpetual Interrogation. GRACE GRACE _ to the place of Pace and haven of RACE ITS Disgrace.
The ONEtranscendable limit? OPTIONS. STOCKTRASHSPLASHGRASP sleeping paradox… l… CLANS are SANDS
ALL is Relational Warnning(x). AT LbEAST: Complexity/RELAX/narrate Hypno-renaissance : the time someone : adovocated to listen to listen to listen:
star(T_ash) audience star(Tell_dislike) audience star(Tall_like) audience star(Till_or) audience star(Toll_whose) audience star(TU_pear) audience star(Tissfinite) Andience(s)
light, be lighter to the UnInaudible
METAMORPHOSIS _ Movement III (50’:29”)
- 00′:00″ – Articulation AS DE-STRUCTION distraction: sign in on at the form, design a post in-form still resistances / divisions
// oblivion = SINGING POWER _ Alert, we are looking for multidimensional SINGERS. WILD and FUZZY, ?
,substantially mutating inwhile their voicing :inside and particular: still charity? _ average defense _ conspiracy recto-spinal grade of inside in the outside metaphoric poverty _ _ in SINGING POWER
- 27’:15″ - A new animal – extensively a LAND from Ascape: is s eemingly alive :and: will winter inter-further-self regenerated: set: password: stubborn categorial ! selector. sign the form, design a post-form sign the form, design a post-form sign the INform, design a pAst-form selector
- 34′:39″ - CHASE it ?uniform desire? de-sire siurrrree: : : !PpleaseEee! LEARN at least 3 accents in a life time ._. IN GRACE we lived and died for. Consider [then] lesson#1: time is an illusion. Synchronicity It’sIts parody. [then] lesson #2: WE HAVE HAVE ALWAYS BEEN ABLE TO MAKE WORDS as WORLDS, consistent as ALIVE: BEL(ly)IEVE IN (u)ordinary SUPER POW(d)ERS_ a gArden of illUsiOn _ rElational in-sEnse _ RETOrical _ if agarden(ing) or/host ilu(r)sion _ rel_at(e)ional in-sense _ SMELL, ELSE, SELVES
Welcome WALLCOME (or) to the gentle graceful en:lighten GO_LEM_:LED:_:LEADs H EATH MATH MoM In Is.
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