The orchestral animal, that’s what it could be associated with. The choral attitude, the enthusiast-ensemble-mode, the orthodox expressionism, infiltrated among the classical rows: above all, the historicised Must of Perpetrating attentions.

The dramaturgical cycle is then an Organic Mimetic Animal, self-representing the entire sociality, it’s temporal mechanism and hospitality. And to break it, it goes with oniric antagonism.


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